Poetic Form and British Romanticism (Google eBook)

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Oxford University Press, Aug 7, 1986 - Literary Criticism - 288 pages
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Across Europe, and particularly in Great Britain, the Romantic age coincided with a large-scale revival of lost literatures and the first attempts to create a coherent history of Western literature. Calling into question that history, Stuart Curran demonstrates that the Romantic poets, far from being indifferent or hostile to popular forms of literature were actually obsessed with them as repositories of literary conventions and conveyors of implicit ideological value. Whether in their proccupation with fixed forms, which resulted in the incomparable artistry of Romantic odes, or in their rethinking of major genres like the pastoral, the epic, and the romance, the Romantic poets transformed every element they touched to suit their own democratic, secular and skeptical ethos--a world view recognizably modern in its dimensions.
  

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Contents

ofForm and Genre
3
The Second Renaissance
14
The Sonnet
29
The Hymn and Ode
56
The Pastoral
85
The Romance
128
The Epic
158
Composite Orders
180
in European Romantic Poetry
204
Notes
221
Index
253
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