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abstract abstract expressionism actors aesthetic agency agents amateur American Art Museum art worlds artists artworks audience avant-garde ballet become boundaries Bowman Broadway CalArts canvases career celebration central century Chapter cinema collector combination commedia dell'arte commercial construct context creativity critics cultural dancers Daniel Schacter developed distinct drama Durand-Ruel earlier elite emerging example FIELDWORK IDEAS Fogg Art Museum Ford Madox Brown gallery genre high art impressionists individual institutions interviews John Everett Millais John Ruskin liminality literary literature medieval memory Merce Cunningham Millais modern dance mural narrative Off-Off-Broadway opera painters painting Paley particular patron perception performance perhaps piece play popular pottery Pre-Raphaelites production professional theatre Proposition relations reputation revival role Rossetti Ruskin Schacter sculpture sense of identity shape shift social formations social networks sort stories style themes tion tournament visual arts women York