Balladeering, Minstrelsy, and the Making of British Romantic Poetry

Front Cover
Cambridge University Press, Nov 13, 2008 - Literary Criticism - 295 pages
0 Reviews
This history and theory of British poetry between 1760 and 1830 was originally published in 2008, and focuses on the relationship between Romantic poetry and the production, circulation and textuality of ballads. By discussing the ways in which eighteenth-century cultural and literary researches flowed into and shaped key canonical works, Maureen McLane argues that romantic poetry's influences went far beyond the merely literary. Breathing life into the work of eighteenth-century balladeers and antiquarians, she addresses the revival of the ballad, the figure of the minstrel, and the prevalence of a 'minstrelsy complex' in romanticism. Furthermore, she envisages a new way of engaging with romantic poetics, encompassing both 'oral' and 'literary' modes of poetic construction, and anticipates the role that technology might play in a media-driven twenty-first century. The study will be of great interest to scholars and students of Romantic poetry, literature and culture.

What people are saying - Write a review

We haven't found any reviews in the usual places.

About the author (2008)

Maureen N. McLane was educated at the Universities of Harvard, Oxford, and Chicago. She is the author of Same Life: Poems (Farrar, Straus and Giroux, 2008) and Romanticism and the Human Sciences: Poetry, Population and the Discourse of the Species (Cambridge University Press, 2000; Paperback, 2006). She is also co-editor of The Cambridge Companion to British Romantic Poetry (Cambridge University Press, 2008). A contributing editor at the Boston Review, she was for years the chief poetry critic of the Chicago Tribune, and her articles on poetry, contemporary fiction, teaching, and sexuality have appeared in many venues, including The New York Times, The Washington Post, American Poet, the Poetry Foundation website, The Boston Globe, The Boston Phoenix, the Chicago Review, and the Harvard Review. In 2003 she won the National Book Critics Circle's Nona Balakian Award for Excellence in Book Reviewing, and in 2007 she was elected to a three-year term on the Board of Directors of the NBCC. She has taught at Harvard University, the University of Chicago, MIT, and the East Harlem Poetry Project, and is currently an Associate Professor in the English Department at NYU. Her poems have appeared or are forthcoming in jubilat, American Poet, The New Yorker, Slate, Canary, Circumference, A Public Space, American Letters and Commentary, The American Scholar, New American Writing, the Harvard Review, and Jacket. Her interests include contemporary poetry, British romanticism, balladry, historiography, psychoanalysis, anthropology, American studies and Scottish studies.

Bibliographic information