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abandons achievement actions anger Anna Aphrodite appears argues assertion attempts Austen's awakening Bildungsroman bonding character claims Clarissa consciousness continues culture Dalloway Darcy daughter death dependent depicted desire developing selfhood Dorothea E. M. Forster Edna egoistic Elaine Showalter Elizabeth Elizabeth Bennet Emily Emma Emma's emphasizes Eros Esther example experience explore failed father fear feelings female novel final Forster Frankie fulfillment grow growth Hagar heroine heroine's husband Ianthe identify independence individuality inner masculine intimacy Jane Jane Eyre Knightley learns lives lover male Marjoriebanks marriage married Martha Quest masculine figures masculine nature monomyth Moreover mother motives Mysteries of Udolpho narrative Neumann never nonetheless Oroonoko paradigm pattern plot portrayed possessive Pride and Prejudice protagonist Psyche-like Psyche's reader recognize refusal relationship remains Rochester role romantic love romantic union scene seeks sense separation sexual story suggests symbolizes traditional typically ultimately unconscious underlying understanding woman women writers women's fiction