The Eames lounge chair: an icon of modern design

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Grand Rapids Art Museum, 2006 - Architecture - 189 pages
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This book is the first in-depth study of one of the most revered pieces of American furniture, and its equally revered creators. The Eames Lounge Chair explores the design in detail, shedding new light on its development and construction, and on the role played by Ray Eames in its genesis. In situating the Lounge Chair in its cultural, social, and historical contexts, the book reveals its provocative positioning in relation to Modernism and the trajectory of twentieth century design, through its combination of traditional and modern materials, mechanical production, and hand-finishing. The personal and professional recollections of those who knew Charles and Ray Eames confirm the Lounge Chair's enduring appeal and powerful presence, from its arrival - to critical acclaim - in the mid-1950s, when it promised a more comfortable life to postwar Americans, to its latterday appearance in fiction and film as an icon of "Mid-Century Modern" design - and a key indicator of design awareness.
With more than two hundred illustrations, including a superb photographic essay and previously unpublished drawings, film stills, and personal correspondence, this book is the definitive survey of the Lounge Chair and a tribute to its remarkable creators, who, above all, "took their pleasures seriously." The Eames Lounge Chair is essential reading for anyone interested in Modernist design.

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Contents

Celeste Adams
5
Sightings and Reflections
29
The Evolution of the Eames Lounge Chair and Ottoman
41
Copyright

3 other sections not shown

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About the author (2006)

Nancy A. McClelland is the International Head of Christie's 20th C. Decorative Arts department and is also an occasional commentator on "Antiques Road Show."
Martin Eidelberg is a professor of art history at Rutgers and a widely acknowledged expert on Tiffany glass. He is the author of or contributor to numerous books on 20th Century Decorative Art.

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