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Means and Potentials of FilmThought
The Realm of the Everyday
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ability abstract action activities allusion appear articulation arts banal basic beauty become behavior Bergman Bicycle Thieves big city Bresson camera cinema cognition communication concepts concrete condensed consciousness created Cries and Whispers direct dramatic dreams dynamic Dziga Vertov Easy Rider elements emotional emphasis empiricism environment everyday everything evocation evokes example existence experience experience-thought expression feel film film-thought film's fragments function Gestalt psychology gestures Godard happens heroes human images inner intellectual interpretation Jancso's language lives logic magical man's means medium memories mental Merei metaphor method metonymic mode modern montage motion movement mythical myths nature objects organic peculiar physical Pierrot le Fou possible precisely present reality realized Red Psalm relationships rhythm ritual Roger Caillois role screen sensory simple social space perception structure Susanne Langer symbols tension things thinking thought tion truth turns Viridiana visual visual concepts whole