Gulf Music: Poems

Front Cover
Macmillan, Sep 30, 2008 - Poetry - 96 pages

Dollars, dolors. Callings and contrivances. King Zulu. Comus.
Sephardic ju-ju and verses. Voodoo mojo, Special Forces.

Henry formed a group named Professor Longhair and his
Shuffling Hungarians. After so much renunciation

And invention, is this the image of the promised end?
All music haunted by all the music of the dead forever.

Becky haunted forever by Pearl the daughter she abandoned
For love, O try my tra-la-la, ma la belle, mah walla-woe.

--from "Gulf Music"

An improvised, even desperate music, yearning toward knowledge across a gulf, informs Robert Pinsky's first book of poetry since Jersey Rain (2000).

On the large scale of war or the personal scale of family history, in the movements of people and cultures across oceans or between eras, these poems discover connections between things seemingly disparate.

Gulf Music is perhaps the most ambitious, politically impassioned, and inventive book by this major American poet.

 

Selected pages

Contents

Body
3
Back Matter
81
Back Cover
88
Copyright

Other editions - View all

Common terms and phrases

About the author (2008)

Robert Pinsky was born in Long Branch, New Jersey, and studied at Rutgers and Stanford Universities. He has taught at the University of Chicago, Wellesley College, and the University of California, Berkeley. For several years the poetry editor of The New Republic, he has won the Oscar Blumenthal Prize (1978) and Woodrow Wilson and Fulbright grants. His book of criticism, The Situation of Poetry: Contemporary Poetry and Its Traditions (1976), is referred to often. He has argued for, and written, a poetry of discursiveness, one that can treat abstract thought and social reality as well as subjectivity and deep emotion.

Bibliographic information