Dialogue on Ancient and Modern Music
Vincenzo Galilei, the father of the astronomer Galileo, was a guiding light of the Florentine Camerata. His Dialogue on Ancient and Modern Music, published in 1581 or 1582 and now translated into English for the first time, was among the most influential music treatises of his era. Galilei is best known for his rejection of modern polyphonic music in favor of Greek monophonic song. The treatise sheds new light on his importance, both as a musician who advocated a new philosophy of music history and theory based on an objective search for the truth, and as an experimental scientist who was one of the founders of modern acoustics.
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Foreword by Thomas J Mathiesen
THE TUNING QUESTION
What Is a Limma
How Many Commas Are Contained in a Major and Minor Tone and Major
Current Names of Intervals
Misunderstanding of Modern Contrapuntists
Other Misunderstandings of the Moderns
CRITIQUE OF COUNTERPOINT
What Contrary Motion Is Good For
What the Rules and Constraints of the Contrapuntists Are Good For
That Part of Music Expected of Artifical Instruments Is Also Corrupted
From Whom May Modern Practitioners Learn the Imitation of the Words
Four Ancient Songs
The Major Sixth
The Major Seventh
la sol re Is Higher by Hard b than by Soft b
Species of Tuning Played by Stringed Instruments
What Pythagoras Did and Did Not Appreciate
From What the Following Imperfection Arises
How They Sang in His Time
Where Todays Method of Singing Originated
Why Aristoxenus Divided the Diatessaron into Sixty Parts
Reflections of the Author
Method of Dividing the Ancient Enharmonic Monochord
Reflection of the Author
The Fifths and Fourths Are Altered in the Tunings of Aristoxenus
THE ANCIENT AND MODERN TONAL SYSTEMS
Tonoi According to Ptolemy
By How Many Names Was the Greek Lyre Known
Which Harmoniai the Chorus of the Tragedy Used
How the Ditones and Semiditones Are Involved in the Tonoi
Reflections of the Author Concerning Musical Intervals
Harmonic and Arithmetic Division Has Nothing to Do with the Modern
Why the Harmonic Division Pleases More than the Arithmetic
How a Kitharode Was Different from a Kitharist
How the Chorus Managed to Stay Together When Singing
Whether Each Tonos Was Suited to Express Any Affection
Whether a Genre Used Simply Can Have a Good Effect
Ptolemy Refutes Many Praiseworthy Ancient Musicians
Whether New Distributions Are Possible
Toroebus of Lydia Adds a Fifth String to the Lyre
Lycaon of Samos Added the Eighth String to the Lyre
Histiaeus of Colophon Added the Tenth String to the Kithara and Timotheus
ANCIENT AND MODERN INSTRUMENTS
Stringed Instruments of the Ancients Did Not Have Frets
How Sound Is Made
What Steps Are Meant by Hypate and Nete
Opinion of Some Moderns Refuted by the Author
Reflection by the Author
Another Sort of Performer
Why Cornetti and Trombones Were Introduced
What the Term Organ Means
Whence the Lute Came to Us
The Vice of Ignorance
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MUS 335: A History of Western Musical Aesthetics (Wegman)
Vincenzo Galilei (d.1591), from Dialogue on Ancient and Modern Music (1581); taken from Gary Tomlinson, ed., The Renaissance, vol. ...
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His Dialogue on Ancient and Modern Music, published in 1581 or 1582 and now translated into English for the first time, was among the most influential music ...
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A PUBLICATION OF THE SOCIETY FOR MUSIC THEORY
Dialogue on Ancient and Modern Music in. Dialogue on Ancient and Modern Music. Dialogue on Ancient and Modern Music. 2003. This citation is in recognition ...
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In Defense of Musicís Eternal Nature: On the Pre-eminence of ...
In Defense of Musicís Eternal Nature:. On the Pre-eminence of Musica theorica Over Musica practica. A Thesis Submitted to the College of Graduate Studies ...
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vincenzo galilei libri - I Libri dell'autore: Vincenzo Galilei ...
Dialogue on Ancient and Modern Music · Dialogue on Ancient and Modern Music di Vincenzo Galilei - Yale University Press - July 2003. Prezzo: Ä 94.38 ...
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