Maestro: conductor or metro-gnome? : reflections from the rostrum
This book explains what is actually involved in being a conductor and unravels some of the mystique that surrounds this intensely public profession. The author, who has worked with orchestras and opera companies all over the world, writes about all aspects of the art and craft, and discusses how a career can progress and is the result of the observation of many conductors in action. Features: 'The Craft that precedes Art' sets out the musicianship requirements and physical gestures that have to be subconsciously embedded during formal training; 'Roads to the Rostrum' covers the differing needs of a permanent or a guest contract, the pitfalls of building a programme and relationships, be they with the orchestra's leader, soloists, composers, the audience or the critics; 'In the Theatre' is about conducting for opera and dance as distinct from concert conducting, and the process of preparing opera for performance; 'Janus on the Podium' is a resumé of how conductors came into being and how they evolved into the powerful figures they are today; 'A Pilgrim's Progress' describes the author's experience from his student days, to London, Glyndebourne and Australia as an example of how a career may unfold; 'The Index and Glossary of Terms' provides easy to understand explanations of tempo indications, the numerous dance styles, symphonic poems, etc. Written in non-technical language, this book is essential reading for all music lovers, as well as professional aspiring maestri.
5 pages matching Bruno Walter in this book
Results 1-3 of 5
What people are saying - Write a review
We haven't found any reviews in the usual places.
Hearing is believing
Baton bludgeon or paintbrush?
In the drivers seat
10 other sections not shown
Other editions - View all
Adelaide Symphony Orchestra Allegro Andante arrived artistic audience bass baton beat become Beethoven Berlioz Britten Bruno Walter Charles Mackerras choir choral chords Chorus Master composer composer's concert conducted conductor Conservatorium Cost fan tutte dance Debussy debut Delius Don Giovanni Elgar's engagements ensemble Eugene Onegin figured bass gesture Glyndebourne Head of Music Hermann Scherchen horn instruments invited Italian Jani Joan lady later London M. D. Calvocoressi Maestro Mahler Manager mance meaning metro-gnome movement Mozart Music Director Music Staff musicians Myer Fredman never notes Onegin Opera Australia opera company Opera House Opera School Overture Paul Hamburger performance Peter Philharmonic pianist piano play players problem production rehearsals programme recording repertoire repetiteur Richard Strauss rostrum Scherchen score season Second Symphony Sibelius singers singing Sir Thomas Beecham soloist sound South Australia Spike Hughes stage string student studio Sydney talent television tempo tenor theatre took usually vocal Wagner woodwind wrote Zauberflote