Modern Times: From World War I to the PresentRobert P. Morgan Part of a series designed to present music in a broad context of socio-political, intellectual and religious life, this work considers music as a series of responses to social forces. |
Contents
Paris 191845 | 33 |
Vienna after the Empire | 60 |
Germany 191845 | 83 |
Copyright | |
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aesthetic American composers artistic avant avant-garde Babbitt ballet Bartók became began Berg Berio Berlin Boulez Cage Cage's completes composition concert conductor Contemporary Music creative cultural dance Debussy decade early Edgard Varèse electronic music ensemble Europe European example Experimental Music festival folk music French gamelan garde genres German harmony Henry Cowell Hindemith idioms important influence instruments IRCAM Italian jazz John Cage later Les Six London melody Messiaen Milhaud Modern Music modernist movement music theatre música musical language musicians Musik nationalist Nazi neo-classical neo-classicism opera orchestra organ Paris percussion performance period piano pieces played political popular music postwar première Prokofiev published radical radio rhythms Russian Schoenberg scores Second Viennese School serialism Shostakovich social Socialist Sonata songs sound Soviet Stockhausen Stravinsky style stylistic Symphony techniques theatre tonal traditional twelve-note twentieth century Vienna Viennese Webern Weill Western music World Wozzeck writing written wrote York