Beiträge zur RegerforschungSusanne Shigihara Breitkopf & Härtel, 1993 - 383 pages |
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Page 59
... composer's time structure and that of his interpreter . Like the BACH fugue op . 46 , Reger has indicated a continuous accele- rando , together with a crescendo from ppp to fff ( obviously in the style of a certain performance tradition ...
... composer's time structure and that of his interpreter . Like the BACH fugue op . 46 , Reger has indicated a continuous accele- rando , together with a crescendo from ppp to fff ( obviously in the style of a certain performance tradition ...
Page 66
... composer's side about Straube's alternative editions - of which at least one was published during Reger's lifetime - or alternative performance practices in general . On the front page of the three pieces from op . 59 ( Kyrie - Gloria ...
... composer's side about Straube's alternative editions - of which at least one was published during Reger's lifetime - or alternative performance practices in general . On the front page of the three pieces from op . 59 ( Kyrie - Gloria ...
Page 67
... composer would like to present my works more effectively ; my own minor revisions are always most carefully considered . The composer's style must under all circumstances remain intact ! " 63 The composers under discussion were mainly ...
... composer would like to present my works more effectively ; my own minor revisions are always most carefully considered . The composer's style must under all circumstances remain intact ! " 63 The composers under discussion were mainly ...
Contents
Geleitwort | 7 |
Bengt Hambraeus Karl Straube Old Masters and Max Reger A Study in 20th Century Per | 41 |
Susanne Shigihara Plädoyer für ein Monstrum Zur Rezeption von Max Regers Violinkonzert | 73 |
Copyright | |
6 other sections not shown
Common terms and phrases
Adolf Busch Akkord alten Anfang Autograph Bach Bearbeitung Beginn beiden Beispiel bekannt bereits Berlin besonders Bild Bitte Bonn Brahms Brief Busch Chor Choral deutlich deutschen drei dritten dynamischen Ebdt edition eigenen einige einmal Ende erscheint ersten espress Fall fast Folge folgenden folgt Form Fritz frühen Fuge Fugue führt ganzen gegenüber gerade gibt Gott großen Hand Harmonik hrsg Hymnus Jahre Jahrhunderts Januar Klavier kleinen Komponisten Komposition konnte Konzert Kritik Kunst kurz lange langsamen lassen läßt Leben Leipzig letzten lich Max Reger Meister molto music Musik musikalischen muß Nacht Neue Orchester organ Original Partitur performance Persönlichkeit poco Popp recht Reger's Requiem Satz Schönberg Schreiber sempre sollte sowie später spielen Stein Stelle Straube Straube-Briefe Straube's Streichungen Stück Tage Takt Teil tempo Text Thema tion Variation viel vier Violinkonzert Weise weitere wenig Werk wieder Wiederholung Wien wohl works zitiert zwei zweiten