My Tiny Life: Crime and Passion in a Virtual World

Front Cover
Julian Dibbell, 1998 - Computers - 336 pages
12 Reviews
Being a true account of the infamous Mr. Bungle and of the author's journey, in consequence thereof, to the heart of a half-real world called LambdaMoo.

From In Cold Blood to Midnight in the Garden of Good and Evil, readers have been gripped by the novelistic rering of eccentric communities torn apart by violent crime.

Julian Dibbell's reporting of the "Mr. Bungle" rape case first appeared as the cover story in The Village Voice. Since that time it has become a cause célèbre, cited as a landmark case in numerous books and articles and a source of less discussion on the Internet. That's because the scene of the crime was a "Multi-User Domain," an electronic "salon" where Internet junkies have created their own interactive fantasy realm. In a "place" where race, ger, and identity are infinitely malleable, the addictive denizens had thought they'd escaped all traditional cultural and moral limits. Yet Mr. Bungle's primal transgression challenged all their illusions, confronting even this electronic utopia with the same issues of order and social norms that humanity has faced since the Stone Age. When this fantasy imbroglio threatens Dibbell's actual marriage, we see how the virtual world at once mirrors and mocks real life.
  

What people are saying - Write a review

User ratings

5 stars
3
4 stars
3
3 stars
4
2 stars
1
1 star
1

Review: My Tiny Life: Crime and Passion in a Virtual World

User Review  - Sandie - Goodreads

I liked it but it was also a bit creepy. Read full review

Review: My Tiny Life: Crime and Passion in a Virtual World

User Review  - Tom Coates - Goodreads

A fascinating insight into something that at the time seemed extraordinarily odd and barely worth talking about - the geekiest end of virtual worlds and gaming. Read full review

Common terms and phrases

References to this book

All Book Search results »

About the author (1998)

Julian Dibbell is an editor at the The Village Voice, where he writes a column on cyberculture. He has written about music and computer culture for many publications, including Time, Spin, Mademoiselle, and Request. He lives in New York City.

Bibliographic information