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" Yet so to temper passion, that our ears Take pleasure in their pain ; and eyes in tears Both weep and smile... "
Ueber dramatische Kunst und Literatur: Vorlesungen - Page 68
by August Wilhelm von Schlegel - 1811
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The Dramatick Writings of Will. Shakspere: With the Notes of All ..., Volume 2

William Shakespeare - 1788 - 318 pages
...Enlive their pale trunks, that the present age Joys in their joy, and trembles at their rage : Yet so to temper passion, that our ears Take pleasure in their pain, and eyes in tears Both smile and weep ; fearful at plots so sad, Then laughing at our fear ; abus'd, and...
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The plays of William Shakspeare, with the corrections and illustr ..., Volume 1

William Shakespeare - 1809 - 390 pages
...verse Enlive their pale trunks, that the present age Joys in their joy, and trembles at their rage: Vet so to temper passion, that our ears Take pleasure in their pain, and eyes in tears Both weep and smile; fearful at plots so sad, Then laughing at our fear; abus'd, and...
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The Plays of William Shakespeare ...: With the Corrections and ..., Volume 1

William Shakespeare - 1809 - 394 pages
...verse Knlive their pale trunks, that the present ago Joys in their joy, and trembles at their rage: Yet so to temper passion, that our ears Take pleasure in their pain, and eyes in tears Both weep and smile ; fearful at plots so sad, Then laughing at our fear ; abus'd, and...
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Shakespeare's The Winter's Tale, Volume 1

William Shakespeare - English drama (Comedy) - 1872 - 480 pages
...power to discern the passions of men ; as an artist, he also surpassed all other artists in skill " so to temper passion, that our ears Take pleasure in their pain, and eyes in tears Both weep and smile." Another point well worth the noting is the perfect evenhandedness...
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Ueber dramatische Kunst und Litteratur, Volume 3

August Wilhelm von Schlegel - Drama - 1817 - 456 pages
...53erfd(îet fcrä otfn ап> gefiiOrtCH Wctidit»/ (tat uief; sar t irfübir, inbem (С faf.f : Yet su to temper passion , that our ears Take pleasure in their pain , and eyes in tears Both smile and weep. 62 öott feinet Äwnft, hríe manche Steuere ¿u fyabcn fd;einen,...
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An inquiry into the authenticity of various pictures and prints, which ...

James Boaden - 1824 - 240 pages
...20 Enlive their pale trunks, that the present age Joys in their joy and trembles at their rage : Yet so to temper passion, that our ears Take pleasure in their pain, and eyes in tears state of like individuals, (for that is the fume of those, that conceive the celestial...
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An Inquiry Into the Authenticity of Various Pictures and Prints, which from ...

James Boaden - Llustrated books - 1824 - 178 pages
...modern ear, as though temembtred in Dnpdrn, or Df. Johnson's famous prologue tor GamcVs theatre. Yet so to temper passion, that our ears Take pleasure in their pain, and eyes in tears Both weep and smile; fearful at plots so sad, Then laughing at our fear; abus'd, and...
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The Dramatic Works of William Shakespeare: Life of Shakespeare. Seven ages ...

William Shakespeare - 1826 - 544 pages
...verse Enlive their pale trunks, that the present age Joys in their joy and trembles at their rage : Yet so to temper passion, that our ears Take pleasure in their pain, and eyes in tears Both weep and smile ; fearful at plots so sad, Then laughing at our fear; abus'd, and...
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The Dramatic Works of William Shakspeare, Volume 1

William Shakespeare - 1826 - 548 pages
...verse Unlive their pale trunks, that the present age Joys in their joy and trembles at their rage: Yet so to temper passion, that our ears Take pleasure in their pain, and eyes in tears Both weep and smile ; fearful at plots so sad, Then laughing at our fear; abus'd, and...
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Memorials of Shakespeare; or, Sketches of his character and genius, by ...

Nathan Drake - 1828 - 520 pages
...which the stage has yet seen • A contemporary of the poet tenderly felt this while he says:— Yet so to temper passion, that our ears Take pleasure in their pain, and eyes in tears Both smile and weep. far behind them : a few of the much less celebrated scenes would...
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