Essentials of Landscape Composition (Google eBook)
Anyone who has mastered the art of writing can learn to draw, according to this accomplished artist and author of several fine art books. Confident that most people have the ability to express themselves artistically once they have acquired the right techniques, Richmond offers his tried-and-true methods of drawing and composition in this easy-to-follow guide.
"The short road to success" begins with a brush. Richmond advises novices to forego the use of a pencil, since it demands a higher degree of accuracy than the beginner possesses. When a brush is used, the ink glides over the paper easily and is more likely to bring desired results. Starting with simple lines and curves, then moving on to various elements—from clouds and trees to castles and cottages—Richmond offers exercises to train the eyes and hand to work together. In step-by-step pictorial sequences, he effectively illustrates how to construct a successful landscape, offers tips on perspective—and even uses several great works of art for lessons in composition. Invaluable for students and teachers, this guide will help artists at every level bring landscapes to life.
What people are saying - Write a review
analytical drawings arrangement brush drawing CHAPTER CLOUD COMPOSITIONS colour contrast dark trees decoration deﬁnite demonstrations depicted on Plate difﬁculty Don QUIXOTE drawings on Plate drawn examples in Fig examples on Plate ﬁat ﬁelds ﬁnal stage ﬁnd ﬁnished drawing ﬁnished landscape ﬁnished picture ﬁrst illustration ﬁrst instance ﬂat four examples group of trees handling height help to give Honoré Daumier interesting pattern intersecting curves lead pencil leads the eye lines and curves London PLATE masses middle distance Millbank mountain subjects National Gallery outline paint brush Palma Vechio parallel lines pen drawings pictorial design pictorial invention Plate LIV Plate LVIII PLATE XVI PLATE XX PLATE XXII PLATE XXXIX Raphael reclining ﬁgure reﬂections rocks sable brush shadow on Plate shown in Fig shows similar Sir D. Y. sketch solid space ﬁlling STIRLING CASTLE suggest tone top line treatment underlying compositions upright elliptical wash drawings whilst