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Contents
9 other sections not shown Common terms and phrasesabstract aesthetic Agam animated Art Nouveau Bauhaus began Bridget Riley chromatic cinema colour composition concerned construction create Cruz-Diez Cubists Degas Delaunay direct Duchamp dynamic effects element of movement environment exhibition experiments fact field Futurists Gabo geometrical gesture graphic important impression Impressionists interest involved Kandinsky kinetic art kinetic artists large number light and movement machine Malevich Malina Marcel Duchamp materials Max Ernst mechanical ment mobile modern Moholy-Nagy motion move nature Nouvelle Tendance objects optical painters painting Paris particular perspex picture plane plastic arts Pol Bury possibilities problem procedure projections pure real movement reflected relationship rhythm Rodin Schoffer screen sculpture sense Seurat Sonia Delaunay space spatial spectacle spectator stage structure subjective movement suggest Suprematism surface surrealist Tatlin technique theme theory three-dimensional traditional transformation transparent types of movement Vasarely vibration virtual movement visual Vorticists Wyndham Lewis Yves Klein References to this bookFrom Google ScholarPhysical PixelsKelly Bowman Heaton - 2000 This is not here: Connectedness, remote experiences and immersive ...Michael Hohl - 2006 Using High-Bandwidth Input/Output in Interactive ArtWilliam G Keays - 1999 A Comparison of the Artistic Aspects of Various Industrial RobotsMargo K Apostolos References from web pagesHistory of Kinetic Fine Art Frank Popper - Wikipedia, the free encyclopedia Jonathan Kearney | artist | words | Masters research | context Origins of Virtualism: an interview with Frank Popper. - Art ... rhythmiclight.com Modulation to Nuance Pascal Dombis The neurology of kinetic art /warnell/etxt Behavioral Kinetic Sculpture Bibliographic information
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