Killing the black body: race, reproduction, and the meaning of liberty

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Pantheon Books, Oct 1, 1997 - Social Science - 373 pages
42 Reviews
In "Killing the Black Body," Dorothy Roberts gives a powerful and authoritative account of the on-going assault - both figurative and literal - waged by the American government and our society on the reproductive rights of Black women. From an intersection of charged vectors (race, gender, motherhood, abortion, welfare, adoption, and the law), Roberts addresses in her impassioned book such issues as: the notion of prenatal property imposed upon slave women by white masters; the unsavory association between birth control champion Margaret Sanger and the eugenics movement of the 1920s; the coercive sterilization of Black women (many of whom were unaware that they had undergone the procedure) under government welfare programs as late as the 1970s; the race and class implications of distributing risky, long-acting contraceptives, such as Norplant, through Medicaid; the rendering of reproduction as a crime of prosecuting women who expose their fetuses to drugs; the controversy over transracial adoption; the welfare debate (who should pay for reproduction?); and the promotion of the new birth technology (in vitro fertilization and egg donation) to serve infertile white couples.

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Review: Killing the Black Body: Race, Reproduction, and the Meaning of Liberty

User Review  - Michelle - Goodreads

Although Dorothy Roberts may have written this analysis of challenges for black women's reproductive rights in the late 1990s, it is, if anything, even more depressingly relevant today. Many white ... Read full review

Review: Killing the Black Body: Race, Reproduction, and the Meaning of Liberty

User Review  - Marly - Goodreads

epic Read full review

Contents

Chapter
6
REPRODUCTION IN BONDAGE
22
Chapter 2
56
Copyright

4 other sections not shown

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References to this book

Rassismus
Wulf D. Hund
Limited preview - 2007
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About the author (1997)

Dorothy Roberts was a poet of exile. Born in Canada of a family already distinguished in the arts, she lived most of her adult life in the eastern United States. Yet, her poetry remained firmly rooted in Canada and in the landscape of the North.

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