The Films of Samuel Fuller: If You Die, I’ll Kill You

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Wesleyan University Press, Mar 31, 2008 - Performing Arts - 246 pages
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A cigar-chomping storyteller who signaled “Action!” by shooting a gun, Samuel Fuller has been lionized as one of the most distinctive writer/directors ever to emerge from Hollywood. In such films as The Steel Helmet, Pickup on South Street, Shock Corridor, and The Big Red One, Fuller gleefully challenged classical and generic norms—and often standards of good taste—in an effort to shock and arouse audiences. Tackling war, crime, race, and sexuality with a candor rare for any period, Fuller’s maverick vision was tested by Hollywood’s transition from the studio system to independent filmmaking. Now, in the first full account of all of the director’s audaciously original work, author Lisa Dombrowski brings his career into new relief. The Films of Samuel Fuller features close analysis of Fuller’s pictures and draws on previously untapped production and regulatory files, script notes, and interviews to explore how artistic, economic, and industrial factors impacted Fuller’s career choices and shaped the expression of his personal aesthetic. Fans of Fuller and American cinema will welcome this in-depth study of a provocative director who embodied both the unique opportunities and challenges of postwar filmmaking.
  

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Contents

Introduction
1
Fuller as Storyteller
10
Movement and Conflict
17
The Lippert Years 19481951 2 4
25
The Steel Helmet
39
The Fox Years 19511956
52
Park Row
62
Hell and High Water and House of Bamboo
77
The Crimson Kimono and Underworld U S A 1 21
121
The Freelance Years 19611964
141
Shock Corridor and The Naked Kiss
148
The Rifle
168
The Final Battles 19651997
171
The Big Red One
184
Conclusion
203
7
227

The Globe Years 19561961
93

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About the author (2008)

LISA DOMBROWSKI is an associate professor of film studies at Wesleyan University.

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