The Society of the Spectacle

Front Cover
Zone Books, 1995 - Philosophy - 154 pages
105 Reviews

For the first time, Guy Debord's pivotal work Society of the Spectacle appears in adefinitive and authoritative English translation. Originally published in France in 1967, Society ofthe Spectacle offered a set of radically new propositions about the nature of contemporarycapitalism and modern culture. At the same time it was one of the most influential theoretical worksfor a wide range of political and revolutionary practice in the 1960s. Today, Debord's workcontinues to be in the forefront of debates about the fate of consumer society and the operation ofmodern social power. In a sweeping revision of Marxist categories, the notion of the spectacle takesthe problem of the commodity from the sphere of economics to a point at which the commodity as animage dominates not only economic exchange but the primary communicative and symbolic activity ofall modern societies.Guy Debord was one of the most important participants in the activitiesassociated with the Situationist International in the 1960s. Also an artist and filmmaker, he is theauthor of Memoires and Commentaires sur la société du spectacle. A Swerve Edition, distributed forZone Books.

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Some keen insight into late capitalism nonetheless. - Goodreads
God the writing in this was painful to get through. - Goodreads
Very aphorismic writing. - Goodreads

Review: The Society of the Spectacle

User Review  - Hannah Spadafora - Goodreads

good one to re-read again. Read full review

Review: The Society of the Spectacle

User Review  - Aaron Mcilhenny - Goodreads

awfully written (Debord is the anti-spectacle and does not want to be understood) but it's so fascinating tho Read full review

Contents

Separation Perfected
11
The Commodity as Spectacle
25
Unity and Division Within Appearances
35
Copyright

6 other sections not shown

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About the author (1995)

Writer, filmmaker, and cultural revolutionary, Guy Debord (1931--1994) was a founding member of the Lettrist International and Situationist International groups. His films and books, including Society of the Spectacle (1967), were major catalysts for philosophical and political changes in the twentieth century, and helped trigger the May 1968 rebellion in France.

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