Printmaking: Methods Old and NewThis book contains both old and new printmaking techniques, and each method is illustrated by a group of prints. It also contains information about materials and how to set-up a workshop. |
Contents
LINE ENGRAVING | 1 |
DRY POINT | 43 |
STIPPLE ENGRAVING AND ETCHING | 53 |
Copyright | |
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acid aquatint artist asphaltum bite Brooklyn Museum Collection brush burin burnishing burr cardboard clean coat color areas color printing Color woodcut copper crayon drawing dry point Dutch mordant edge engraved line etching Etching and engraving etching needle etching press felts finished Gabor Peterdi gouges grain graphic gravers hard ground heat heavy intaglio color printing intaglio plate intaglio printing Jacques Villon Japanese key block lift ground light line etching linoleum linoleum cut material Mauricio Lasansky metal plate Mezzotint Modern Art Museum of Modern nitric offset overprinted Pablo Picasso painting paper pigment plaster plastic possible press bed printing ink printmakers procedure Relief etching rolled rosin rubber rubbing scraping screen sharpening soft Stanley William Hayter steel stencil stenciled colors stop-out varnish stopping-out surface printing tarlatan technique texture thick tonal areas tone tray uneven VIII wood block wood engraving woodcut workshop York zinc