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Colonial Ambivalence and
World Music Does Not Exist
Chronology and Crossover in
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allegorical artists Basque become Bilbao Burroughs camera Cantinflas capital century Chiapas citizenship close-up colonial contemporary context crisis critical critique cultural Culture Jamming democracy democratic desire diaspora dinosaurs discourse dominant economic essay ethnic European example Filipino film Foraker Act Fox's global Guggenheim Hawai'i Hawaiian Hawaiian language hegemony Hispanic identity ideological immigrants imperial indigenous institutions interest island Juarez Jurassic Park Krauze Krens language Latin American Latina/o Laura Marcos Menchu ment Mexican Mexico Miguel modern Museum narrative neoliberal Nicholas Nixon Nixon's Octavio Paz official Paz's photographs popular position postmodern president Puerto Rico racial radical Raul reality relation representation represented rhetoric Ricans Rigoberta Rigoberta Menchu role Salinas signifying social society Spanish Spielberg's subaltern suggests symbolic Thing tion tradition Underwood & Underwood United University Press utility Vicente Fox visual Vuelta women world music York Zapatista Zedillo Zizek