Cult Films: Taboo and TransgressionCult Films: Taboo and Transgression looks at nine decades of cult films history within American culture. By highlighting three films per decade including a brief summary of the decade's identity and sensibility, the book investigates the quality, ironies, and spirit of cult film evolution. The twenty-seven films selected for this study are analyzed for story content and in their respective transgressions regarding social, aesthetic, and political codes. Characteristic of this book is the notion that many exciting genres make up cult films-including horror, sci-fi, fantasy, film noir, and black comedy. Further, the book reaches out to several foreign film directors over the decades in order to view cult films as an intentional art form. Political and ideological controversies are covered; arresting back-story details that lend perspective on a film fill out the analysis and the historic framework for many film titles. The book, by emphasizing the condensed survey over decades and by choosing outstanding titles, differs from other general studies on cult films. |
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Page 92
... Hedwig and the Angry Inch . Like The Rocky Horror Pic- ture Show , Mitchell's production began as live musical theatre before morphing into film ; common to Rocky Horror and Hedwig is the reliance on a charismatic drag queen at the ...
... Hedwig and the Angry Inch . Like The Rocky Horror Pic- ture Show , Mitchell's production began as live musical theatre before morphing into film ; common to Rocky Horror and Hedwig is the reliance on a charismatic drag queen at the ...
Page 93
... Hedwig is a ca- sualty of inept sex change surgery , and Hedwig goes on tour to tell the world . Certainly , Hedwig is searching for the perfect soul mate to complete her teleolo- gy . As the show is conceived , it is Hedwig's ...
... Hedwig is a ca- sualty of inept sex change surgery , and Hedwig goes on tour to tell the world . Certainly , Hedwig is searching for the perfect soul mate to complete her teleolo- gy . As the show is conceived , it is Hedwig's ...
Page 94
... Hedwig's . Mitchell , clearly fatigued , left the role during the long New York stage run . Realizing the film ... Hedwig show . Moreover , the film provided many literal enactments that were narrated more powerfully and self ...
... Hedwig's . Mitchell , clearly fatigued , left the role during the long New York stage run . Realizing the film ... Hedwig show . Moreover , the film provided many literal enactments that were narrated more powerfully and self ...
Contents
Freaks King Kong and Reefer | 15 |
Glen or Glenda Invaders from | 35 |
El Topo Harold and Maude | 57 |
Copyright | |
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