The Painters of Modern Life

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Phaidon Press, Aug 24, 1995 - Art - 310 pages
6 Reviews
This revival of a famous Phaidon series brings together in an elegant format some of the best-known writings of renowned artists, critics and interpreters of our cultural tradition. Each book, an acknowledged classic, provides insights not only into the worlds of the arts and cultural history, but also into the creative and intellectual preoccupations of its author and his time. These Phaidon editions have an introduction and notes by a distinguished editor and a wide range of illustrations specially chosen to complement the text.

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Review: The Painter of Modern Life and Other Essays (Phaidon Arts and Letters)

User Review  - Alejandra - Goodreads

Picked up this beautiful 1970 edition at an old book shop in LA, I am so enjoying the editor's intro. Read full review

Review: The Painter of Modern Life and Other Essays (Phaidon Arts and Letters)

User Review  - Blair - Goodreads

If you want to know art's role in modernity, read this collection. Baudelaire is indispensable. One of the most instructive comments for me about the sensibility of an artist came from here, about how it is like "childhood recovered at will." That will live with me to the grave. Read full review

Contents

CHAPTER I
1
CHAPTER 2
42
CHAPTER 3
70
Copyright

7 other sections not shown

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About the author (1995)

Charles Baudelaire, 1821 - 1867 Charles Baudelaire had perhaps had an immeasurable impact on modern poetry. He was born on April 9, 1821, to Joseph-Francois Baudelaire and Caroline Archimbaut Dufays in Paris. He was educated first at a military boarding school and then the College Louis-le-Grand, where he was later expelled in 1839. Baudelaire then began to study law, at the Ecole de Droit in Paris, but devoted most of his time to debauchery. After an abortive trip to the East, he settled in Paris and lived on an inheritance from his much despised step father, while he wrote poetry. During this period he met Jeanne Duval, a mulatto with whom he fell in love with and who became the "Black Venus," the muse behind some of his most powerful erotic verse. Baudelaire strove to portray sensual experiences and moods through complex imagery and classical form, avoiding sentimentality and objective description. Thus he profoundly influenced the later French symbolist writers, including Mallarme and Rimbaud, and such English-language poets as Yeats, Eliot, and Stevens. With much of his inheritance squandered, Baudelaire turned to journalism, especially art and literary criticism, the first of which were "Les Salons". Here he discovered the work of Edgar Allan Poe, which became an influence on his own poetry. While continuing to write unpublished verse, Baudelaire became famous as critic and translator of Poe. This reputation enabled Baudelaire to publish his most famous collection of poetry, "Les Fleurs du Mal" (The Flowers of Evil) in 1857. The result was an obscenity trial and the banning of six of the poems. Though he continued to write journalism with some success, he became increasingly depressed and pessimistic. Baudelaire attempted suicide in 1845, an attempt to get attention, and became minorly involved in the French Revolution. Today Baudelaire's work is considered the "last brilliant summation of romanticism, precursor of symbolism and the first expression of modern techniques". It was his originality that set him apart and ultimately proved to be his end. Baudelaire died, apparently from complications of syphilis, on August 31, 1867, in Paris.

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