Wood-carving, Practically, Theoretically and Historically Considered: With Notes on Design as Applied to Carved Wood |
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acanthus adapted appreciate artificial artist beauty carved oak carved wood carver cathedral century Certosa of Pavia Chancery Lane chapter character characteristics chisel Classic art clay cloth colour craft Crown 8vo decoration delicacy Edition effect endeavoured examples excellent executed expression feeling finished flat foliage forms FRED MILLER FRENCH POLISHING give glass-painters Gothic art Gothic design Gothicist gouges grace Greek Grinling Gibbons ground hand hand-work high relief ideas illustrations individuality instance Italian Lewis Day lines maccaroni tool machine-work material matter MENKEN modelling modern motifs never old craftsmen original ornament panel perfect piece of carving plant plant-forms portions practical principal curves principles produce qualities rabbet realise Renaissance designs rendering reproduce satin-wood school of design School of Wood-carving screw seems shows skill South Kensington Museum specimens Stradivarius strength student study nature style suggested Technical Publisher treatise WILLIAM LYND worker wrought WYMAN'S TECHNICAL SERIES