The Final Victim of the Blacklist: John Howard Lawson, Dean of the Hollywood Ten

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University of California Press, Sep 19, 2006 - Performing Arts - 384 pages
Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.
 

Contents

Introduction
1
1 Beginnings
14
2 Toward Commitment
35
3 Hollywood
50
4 From Hollywood to Broadway
66
5 Commitment
80
6 Theory and Practice
98
7 Struggle
116
10 Red Scare Rising
166
11 Inquisition
184
12 Jailed for Ideas
202
13 Blacklisted
222
14 The Fall of Red Hollywood
241
Conclusion
263
Notes
269
Index
347

8 Fightingand Writing
132
9 Writingand Fighting
149

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Page x - The question of communism is in no way related to this inquiry, which is an attempt to get control of the screen and to invade the basic rights of American citizens in all fields.
Page x - The Chairman: Then you refuse to answer that question; is that correct? Mr. Lawson: I have told you that I will offer my beliefs, affiliations, and everything else to the American public, and they will know where I stand.
Page xvii - Chicago, as an extraordinarily diverting fellow, recently out of Williams, with bright brown eyes, untidy hair and a great beak of a nose that made you think of Cyrano de Bergerac. There was a lot of the Gascon in him at that. He was a voluble and comical talker. He had drastic ideas on every subject under the sun. He was never away from you for ten minutes that he didn't come back with some tale of abracadabrating adventures that had happened in the meanwhile.

About the author (2006)

Gerald Horne, Moores Professor of History at the University of Houston, is author of Black and Brown: African-Americans and the Mexican Revolution, 1910-1920, Class Struggle in Hollywood, 1930-1950: Moguls, Mobsters, Stars, Reds, and Trade Unionists, and Race Woman: The Lives of Shirley Graham DuBois.

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