Indiana Jones and the Kingdom of the Crystal Skull

Front Cover
Collins Children's Books, 2008 - Children's stories - 176 pages
19 Reviews
Join Dr Jones as he travels around the world on the quest for the Crystal Skull. 20 years on from The Last Crusade and Indy is picking up the fedora and bullwhip once again on the hunt for the Crystal Skull.

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Review: Indiana Jones and the Kingdom of the Crystal Skull (Indiana Jones: Film Novelizations #4)

User Review  - Liz - Goodreads

Read it because I enjoyed the movie. The writing wasn't fantastic but it was an easy relaxing summer read Read full review

Review: Indiana Jones and the Kingdom of the Crystal Skull (Indiana Jones: Film Novelizations #4)

User Review  - Marge Carter - Goodreads

I truly enjoyed this book. I wish there was a lot more to look forward to. I understand that he was asked to write this book either based on the screen play or after it was in the can. Any way I loved ... Read full review

About the author (2008)

James Luceno was born in 1947. His works include the Star Wars novels Dark Lord: The Rise of Darth Vader, Cloak of Deception, Labyrinth of Evil, Millennium Falcon, and Darth Plagueis as well as the New Jedi Order novels Agents of Chaos I: Hero's Trial, Agents of Chaos II: Jedi Eclipse, and The Unifying Force. He also writes the Web Warrior series.

As a graduate of the prestigious Cinema Studies program of the University of Southern California, George Lucas represents the movie-educated generation of American filmmakers, which emerged in the 1970's, including Francis Ford Coppola, Steven Spielberg, Martin Scorsese, and Brian DePalma. Lucas's award-winning 20-minute student science fiction film, "THX-1138," and a student fellowship to work with Coppola, launched a career of unprecedented financial success. Backed by Coppola, he made a feature-length version of "THX-1138" (1971), then gained wide recognition with the release of "American Graffiti" (1973), a look at high school in 1962 whose rock-and-roll soundtrack set off a wave of 1950's nostalgia. Made for $750,000, "American Graffiti" grossed nearly $50 million. However, Lucas's next feature dwarfed this success. "Star Wars" (1977) broke all box-office records and defined the basic terms of Lucas's legacy: spectacular technical effects and a comic-book sense of adventure. With the profits from Star Wars and the massive merchandising campaign around it, Lucas built Skywalker Ranch in Marin County, California, home to Industrial Light and Magic, the premier special-effects laboratory in the world. Lucas wrote the scenarios for the "Star Wars" sequels, "The Empire Strikes Back" (1980) and "Return of the Jedi" (1983), and later for the "Indiana Jones" films, but he handed over directing to others, as he had sworn he would after completing Star Wars. In renouncing the director's role, the ultimate gesture of the anti-auteurauteur, Lucas exemplifies Hollywood since the late 1970's, which has focused on high-concept formulas with pyrotechnic displays of special effects, a sure-fire recipe for commercial success.

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