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The Scope of Musical History
The Historians and the Periods
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accepted aria Arthur Mendel artist Bach and Handel Bach Reader Bach's baroque bass Beethoven Berlioz cantatas cathedral chant Chapel Royal church music composers composition concerto contemporary conventions criticism David and Arthur early eighteenth edition effect eighteenth century England English environment Ernest Newman expression fact figured bass French gramophone records Handel Haydn historians history of music homophony Ibid idioms individual influence instrumental music Italian Italy J. S. Bach kind large number letters Liszt London madrigal medieval medieval music melodies merely modern motet Mozart music-lovers musical examples musical history musicians nineteenth century notation opera oratorio orchestra original Otto Erich Deutsch Oxford History Palestrina particular passion patronage patrons performance period piano plainsong playing polyphony practice printed published Purcell Reader New York Romantic Schubert secular music seventeenth century singers singing sixteenth century solo song style suggest survived symphony taste tion tradition true volume Wagner writing written