Suzanne Buchan, David Surman, Paul Ward
John Libbey, 2006 - Performing Arts - 207 pages
"Animated Worlds is an edited compilation of the papers presented at the 'Animated 'Worlds'' conference held in 2003 at Farnham Castle, UK. What do we mean by the term 'animation' when we are discussing film? Is it a technique? - A style? - A way of seeing or experiencing 'a world' that has little relation to our own lived experience of 'the world'? The Animated 'Worlds' anthology presents a selection of topics from the 2003 Animated 'Worlds' conference held in England. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory and digital aesthetics that reveal the astonishing variety of 'worlds' animation confronts us with."--PUBLISHER.
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The Strings of the Marionette
Trade Tattoo and Len Lyes Link
Representations of Masculinity
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aesthetic Aki Ross animated documentaries animated film Animated Worlds archive artist audience autism Bob Sabiston Bobby body brickfilms Brothers Quay cartoons cel animation characters cinema colour construction create critical cultural demo diegetic digital animation digital media Disney Eisenstein essay experience explores fictional world film's filmmakers Final Fantasy footage gameworld gesture Grodal Hank Hank Hill hegemonic Homer human Ibid images imagination indexical interaction Internet literary live action live-action London Lye's machinima Manovich marionette masculinity Metropolis modernist motion movement moving narrative objects Olympia photographic photoreal plasmatic play produced puppet animation Quay Brothers realism reality relation representation robot Romantic Rotoshop Sabiston Sandman Schelling screen semiotic sense Simpsons simulation Snack and Drink spectator Street of Crocodiles structure style stylistic suggests techniques television Tezuka theory Tima tion Trade Tattoo traditional uncanny University Press videogames viewer visual words writerly text writes