Animated WorldsSuzanne Buchan, David Surman, Paul Ward Introduction / Suzanne Buchan -- The joyous reception: animated worlds and the romantic imagination / Rachel Kearney -- The animated spectator: watching the Quay Brothers' 'worlds' / Suzanne Buchan -- The strings of the marionette / Richard Weihe -- Gesturing toward Olympia / Heather Crow -- Literary Len: Trade Tattoo and Len Lye's link with the literary avant-garde / Miriam Harris -- Literary theory, animation and the 'subjective correlative': defining the narrative 'world' in Brit-lit animation / Paul Wells -- Animated fathers: representations of masculinity in The Simpsons and King of the hill / Suzanne Williams-Rautiola -- Animated interactions: animated aesthetics and the world of the 'interactive' documentary / Paul Ward -- New media worlds / Thomas Lamarre -- Style, consistancy and plausibility in the Fable gameworld / David Surman -- Final fantasies: computer graphic animation and the [dis]illusion of life / Vivian Sobchack -- An unrecognized treasure chest: the internet as animation archive / Karin Wehn. |
Contents
The Strings of the Marionette | 39 |
Trade Tattoo and Len Lyes Link | 63 |
Representations of Masculinity | 95 |
Copyright | |
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aesthetic Aki Ross animated documentaries animated film Animated Worlds archive artist audience autism Bobby body brickfilms Brothers Quay cartoons cel animation characters cinema colour construction create critical cultural demo diegetic digital animation digital media Disney dream Eisenstein essay experience explores fictional world film's filmmakers Final Fantasy footage gameworld gesture Grodal Hank Hank Hill hegemonic Homer human Ibid images imagination indexical interaction Internet Len Lye literary live action live-action London Lye's machinima Manovich marionette masculinity Metropolis modernist movement moving narrative notions objects Olympia photographic photoreal plasmatic play produced puppet animation Quay Brothers realism reality relation representation robot Romantic Rotoshop Sabiston Sandman Schelling screen semiotic sense Simpsons simulation Snack and Drink spectator Street of Crocodiles structure style stylistic suggests techniques television Tezuka theory Tima tion Trade Tattoo traditional uncanny University Press videogames viewer visual words writerly text writing