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aesthetic American independent cinema appeal argue art cinema aspects attribution audience Barton Fink behavior Big Lebowski Bordwell camera Carol causal Chantelle Chapter character and characterization character psychology classical Coen brothers coherence complexity conception construction conventional cues cultural David Bordwell Dawn Dawn's depth devices discussion distinction Dollhouse Dude effect emotion expressions especially example expectations experience expressions of emotion face facial expressions Fiction film theory film's filmmakers function genre types goals Hard Eight Haynes Hollywood independent films inferences interest in character Jim Jarmusch John John Sayles kind main characters mainstream May-Alice means mode motivation narrative events Passion Fish Paul Ekman personality traits plot primacy effect realism relation representation represented Reservoir Dogs scene sense shallow significant situation Smith social cognition social perceivers specific spectator stereotypes story storytelling style stylistic subjective narration Sydney techniques temporal thematic Todd Haynes typically understanding viewing strategies visual vocal expressions