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action activity analysis articulation aspect auditory awareness bell Benjamin Boretz bird song body body's Chapter communication conversation degree detached detail dimension direction discourse distinction Dryden's Elaine Scarry Elias Canetti example experience feel fixity flow function gesture hearing human Igor Stravinsky involved kind language larynx layer manipulability means ment monality move movement musical instruments musical setting Musicology notation orientation original participants particular percussion instruments performance perhaps Phenomenology phonation phonemes physical pitch play poem Polyphony present primate produced Purcell range relationship represent representation resonance rhythm ringing role score semiotics sensations sense shaping signal singer singing situation sonic space spatial speaker and listener speaking speech and music Sprechgesang Steven Feld things thinking thought timbre tion topology of Field trans transitional objects tropism variability verbal verse viewer visual vocal folds vocal sound vocalizer's voice vowels word music York