Foundations of Christian music: the music of pre-Constantinian Christianity
In the study of Christian liturgical music, the first three centuries of the Christian era are foundational. Seldom, however, does this period receive serious attention from scholars. One of the reasons for this oversight is the fluid auditory environment of this period, and the inadequacy of the Western concept of "music" to describe this environment. Foundations of Christian Music addresses this lacuna by exploring the auditory environment of first-century Judaism and emerging Christianity until the time of Constantine (d. 337). Through a consideration of the text, styles, forms, performance, and settings of Jewish and early Christian worship, Foundations offers an unusually rich perspective on the lyrical nature of emerging Christian worship.
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The Temple of Herod
Synagogues of the First Century c e
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amidah ancient Israel Ancient Synagogue Arakhin auditory environment Avenary biblical blessing Byzantine Music cantor century c.e. chant Chris Christian cult Christian music Christological Hymns Church congregation cultic culture Deichgraber Deuteronomistic doxology Early Christian Rhetoric early Christian worship elements employed evidence example first-century forms Fortress Press God-hymns Greek hearing Hebrew Heinemann hymnic hymnody Ibid Idelsohn infancy canticles instrumental music Jacob Neusner Jesus Jewish Music Jews Joachim Jeremias Judaism Kelber Krautheimer Kroll language Levites liturgy Luke lyrical McKinnon melodic ment Mishnah modes musicians NGDMM NJBC noted Odes of Solomon Old Testament oral society parables Phos Hilaron prophet psalmody psalms reading recitation reference residual orality responsorial role Sacred Bridge sacrifice scholars scribal Scriptures sheliach tsibbur Shema shofar short praise formulae singers singing song structure suggests sung synagogue service Talmud TDNT Tertullian texts Theological third century tion Torah tradition trans University Press Vaux vocal vols Werner word writing Written Gospel York