Trace and transformation: American criticism of photography in the modernist period
This historical survey of American theory and criticism of art photography covers the period from late-nineteenth-century Pictorialism through 1970s formalism. The author deals deftly with the difficulties faced by critics -- from the essential question, how is photography an art at all? to the more modernist question of what constitutes the medium of photography at its pure core.
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Aaron Siskind aesthetic Alfred Stieglitz American photography Ansel Adams Aperture art photography artistic Beaumont Newhall Caffin Camera Coleman Collected Writings concept context Creative culture curator define Deschin discussion documentary photography Dorothea Lange Edward Weston essay Evans's exhibit experience expression formal Hartmann Hattersley Henry Holmes Smith Ibid idea images inherent interest interpretation issue John Szarkowski language Lawton and Knox Light Readings look Lyons magazines Mann McCausland meaning medium Minor White Modern Art modernist MOMA Museum of Modern Nancy Newhall nature objectivity painters painting Paul Strand Photo League Photo Notes photogra photographer's photographic art photojournalism Pictorialism Pictorialists political Popular Photography postmodernism postmodernist qualities raphy reality response Sekula sense social Solomon-Godeau Sontag spirit Steichen straight photography Stryker subject matter symbols Szarkowski technique theorists theory Thornton thought tion tographs tradition transcendent truth universal vision Walker Evans wrote York