Three Plays

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Oxford University Press, Incorporated, 1994 - Drama - 221 pages
5 Reviews
Tughlaq is a historical play in the manner of the nineteenth-century Parsee theatre. It deals with the tumultous reign of the medieval Sultan, Muhammad Tuhlaq, a visionary, a poet and one of the most gifted individuals to ascend the throne of Delhi who also came to be considered one of themost spectacular failure in history.Hayavadana was one of the first modern Indian plays to employ traditional theatre techniques. The various conventions - music, mime, masks, the framing narrative, the mixing of human and non-human worlds - are here used for a simultaneous presentation of alternative points of view, for alternativeanalyses of human problem posed by a story from the Kathasaritsagar.In Naga-Mandala, Karnad turns to oral tales, usually narrated by women while feeding children in the kitchen. Two such tales are fused here. The first one comments on the paradoxical nature of oral tales in general: they have an existence of their own, independent of the teller, and yet live onlywhen they are passed on from one to another. Ensconced within this is the story of a girl who makes up tales in order to come to grips with her life.

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Review: Three Plays: Naga-Mandala; Hayavadana; Tughlaq

User Review  - Jack - Goodreads

I only read Hayavadana. The parts of me that think I understood it really enjoyed it, I don't know if I understood what was happening, but I do know I was able to write some incoherent responses to it. Read full review

Review: Three Plays: Naga-Mandala; Hayavadana; Tughlaq

User Review  - Charlie - Goodreads

stars are for hayavadana. Read full review

Contents

Authors Introduction
1
Note to NagaMandala
20
Note to Hayavadana
68
Copyright

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Contemporary Indian Dramatists

Limited preview - 2007

About the author (1994)

Girish Karnad is a well-known playwright, actor, film personality, and Chairman of Sangeet Natak Akademi.

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