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FOREWORD by Archibald T Davison xi
SEATING THE ORCHESTRA
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ability addition amateur group amateur orchestra amateur player audience audition Bach beat Beethoven Brahms Brandenburg Concerto brass instruments cellos chamber music chestra choral chorus clarinet community orchestras composer concentrated Concerto Grosso conductor Dances decrescendo detailed rehearsals difficult passages ductor dynamic efficiency England Conservatory ensemble experience final rehearsals flat major Flute and Strings fortissimo G minor Gabrieli Handel Harvard University Orchestra Haydn hearsal important individual instru listener Mannheim School ments minor for strings movement Mozart musicians needs oboe obtain orches orchestral instruments orchestral literature orchestral tone Overture percussion performance phrase pieces playing podium practice prepared problems procedure professional program material re-creative process reading rehearsals repertory responsibility rhythm rhythmic schedule score season seating second violins sight reading Sinfonia solo soloist stage standards success Suite Symphony technical technique tempo tion tuning various Vaughan-Williams viola violin Vivaldi Wellesley College Wellesley College Orchestra winds and brasses