A Day's Work, Part 2: A Sampler of Historic Maine Photographs, 1860-1920 (Vol. 2)

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Tilbury House Publishers, 2000 - History - 384 pages
Bunting has a knack for spotting the unusual in a photograph, or some minor detail that, in fact, tells a major story about the how and why. From granite quarry operations to an itinerant cobbler in a sailing scow to hootchie-kootchie dancers at the state fair to deepwater ships, his page-long captions place these images in social and economic context--but this is not dry history. His research has uncovered a wealth of fascinating, often quirky detail (did you know that mummy wrappings were imported from Egypt for Maine papermaking?), and he makes frequent forays into the Maine storytelling tradition.

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Contents

Section 1
6
Section 2
16
Section 3
34
Copyright

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About the author (2000)

W. H. "BILL" Bunting is the author of a number of critically acclaimed works of history including Portrait of a Port: Boston 1852-1914; Steamers, Schooners, Cutters, and Sloops: The Marine Photographs of N. L. Stebbins; A Day's Work: A Sampler of Historic Maine Photographs, 1860-1920 (in two volumes); The Camera's Coast: Historic Images of Sea and Shore in New England; Live Yankees; and Maine on Glass: The Early Twentieth Century in Glass Plate Photography. With Earle G. Shettleworth, Jr., he wrote An Eye for the Coast: The Monhegan and Maritime Photographs of Eric Hudson and Maine on Glass: The Early Twentieth Century in Glass Plate Photography. Bill Bunting shipped as galley boy aboard the brigantine Yankee at age 13 and later completed a 25,000-mile world voyage as first mate of a 132-foot barkentine.