Hotter Than That: The Trumpet, Jazz, and American Culture

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Faber & Faber, Oct 28, 2008 - Music - 272 pages
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A swinging cultural history of the instrument that in many ways defined a century†The twentieth century was barely under way when the grandson of a slave picked up a trumpet and transformed American culture. Before that moment, the trumpet had been a regimental staple in marching bands, a ceremonial accessory for royalty, and an occasional diva at the symphony. Because it could make more noise than just about anything, the trumpet had been much more declarative than musical for most of its history. Around 1900, however, Buddy Bolden made the trumpet declare in brand-new ways. He may even have invented jazz, or something very much like it. And as an African American, he found a vital new way to assert himself as a man.

Hotter Than That is a cultural history of the trumpet from its origins in ancient Egypt to its role in royal courts and on battlefields, and ultimately to its stunning appropriation by great jazz artists such as Louis Armstrong, Dizzy Gillespie, Miles Davis, and Wynton Marsalis. The book also looks at how trumpets have been manufactured over the centuries and at the price that artists have paid for devoting their bodies and souls to this most demanding of instruments. In the course of tracing the trumpetís evolution both as an instrument and as the primary vehicle for jazz in America, Krin Gabbard also meditates on its importance for black male sexuality and its continuing reappropriation by white culture.††

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Hotter than that: the trumpet, jazz, and American culture

User Review  - Not Available - Book Verdict

Amateur trumpet player Gabbard (comparative literature & English, Stony Brook Univ.; Black Magic: White Hollywood and African American Culture) tells the story of how the trumpet came to be the alpha ... Read full review

Review: Hotter Than That: The Trumpet, Jazz, and American Culture

User Review  - Djll - Goodreads

Very disappointing. I play the same instrument (from an 'outsider' heuristic, I admit) and I was dismayed to apprehend the author's stultifyingly doctrinaire approach to the trumpet. Ho hum. Read full review

Contents

The Trumpet
31
Louis Armstrongs Beam of Lyrical Sound
70
The Art of the Trumpet Maker
107
Copyright

4 other sections not shown

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About the author (2008)

Krin Gabbard is professor of comparative literature and English at Stony Brook University and an amateur trumpet player. He is the author of three previous books.

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