Mozart

Front Cover
Cambridge University Press, May 2, 1996 - Music - 111 pages
Mozart's Clarinet Concerto is of supreme importance as his last instrumental work. Yet there are a number of special problems surrounding the piece, since the autograph is lost and the unique instrument for which it was written has not survived. This book presents a wealth of background information, an analysis of the Concerto, discussion of performance practice and details of surviving relevant instruments.
 

Contents

The eighteenthcentury clarinet and its music
1
Repertoire for chalumeau and twokeyed clarinet
3
Paris Mannheim London
6
Mozart Stadler and the clarinet
14
Mozart and the clarinet before 1780
15
Anton Stadler
17
The basset horn and Masonic associations
19
Mozarts clarinet writing 17817
22
Primary evidence
53
Internal evidence
54
Ambiguities
55
The basset clarinet version assessed
57
Design and structure
60
Stylistic features
61
Allegro
62
Adagio
66

The genesis and reception of the Concerto
25
Mozarts Clarinet Quintet
27
The clarinet in A major
29
Mozart and the clarinet 178891
31
Mozarts autograph sketch K621b
34
First performances of the Concerto
35
The nineteenth century
38
The age of recordings pre1950
41
Stadlers clarinet and its revival
43
Surviving basset clarinets as evidence
44
Stadlers design
45
The nineteenth century
49
The twentiethcentury revival
50
Mozarts original text
52
allegro
68
Performance practice
72
Tempo flexibility
73
Ornamentation and improvisation
74
Cadenzas
75
The soloist as director
77
A review of the Breikopf and Hartel edition in the Leipzig Allgemeine Musikalische Zeitung 4 March 1802
79
Surviving instruments
84
A list of works composed by Mozarts clarinettist Anton Stadler
91
Notes
93
Select bibliography
101
Index
105
Copyright

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