Meter in Music, 1600-1800: Performance, Perception, and Notation
While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace, and vitality. With many quotations and musical examples from theoretical treatises and instruction manuals of the period, Meter in Music is a practical guide to the performance of Baroque and early Classical music, with guidance on notes inegales, fingerings, bowings, and woodwind tonguings.
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JSTOR: Meter in Music, 1600-1800. Performance, Perception, and ...
Meter in Music, 1600-1800. Performance, Perception, and Notation by George Houle Indiana University Press, 1987 ix, 174 pp., plus eight-minute cassette tape ...
Meter in Music, 1600-1800: Performance, Perception, and Notation ...
Meter in Music, 1600-1800: Performance, Perception, and Notation. By George Houle. pp. ix + 174. (Indiana University Press, Bloomington & Indianapolis, ...
ml.oxfordjournals.org/ cgi/ reprint/ 70/ 1/ 93.pdf
... There's an interesting suggestion of "tactus" conducting in George Houle's book Meter in Music, 1600-1800: Performance, Perception, and Notation. ...
www.bach-cantatas.com/ Topics/ Conduct.htm
Ambiguity, Hypermeter, and Performance Choices in js Bach’s ...
Ambiguity, Hypermeter,. and. Performance Choices. in. js Bach’s Toccata in F, BWV 540/1. by. Leon W. Couch III, dma, Ph.D. Texas A&M University ...
orpheus.tamu.edu/ couch/ Professional/ Articles/ T&
The Role of 12/8 Time Signature in J
See George Houle, Meter in Music, 1600-1800: Performance, Perception, and Notation (Bloomington:. Indiana University, 1987) 20-29. ...
etd.library.pitt.edu/ ETD/ available/ etd-08022005-145802/ unrestricted/ leeky_etdPitt2005.pdf
JSTOR: Proportionsangaben in Musik des 17. Jahrhunderts, ihre ...
Proportionsangaben in Musik des 17. Jahrhunderts, ihre Bedeutung und Ausfuhrung. Roland Eberlein. Archiv für Musikwissenschaft, 56. ...
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