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Master of the Naked Masks
Brecht in 1969
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Absurd absurdists action actors aesthetic Andorra Artaud artistic audience avant garde aware basic Beckett become Berliner Ensemble bombing Brecht Brechtian characters Churchill comedy contemporary creative process critical Cruelty deal Diirrenmatt drama dramatist dream East Berlin effect element epic theatre example experience expression fact feel Frisch German Godot Grass grotesque Happening Hedda Gabler hero Hochhuth human Ibsen ideas illusion Ionesco kind language live theatre logical lyrical Marat/Sade mass media Master Builder Max Frisch merely moral murder naturalists nature novel performance personality Peter Weiss Pirandello play playwright poem poetic poetry political problem produced psychological realism reality romantic scene seen sense situation social Solness spectator stage Stiller Stockmann Strindberg structure style subconscious subject matter Swiss technique Theatre of Cruelty Threepenny Opera tion traditional tragedy true truth violence Waiting for Godot Weiss woman writing Zola