On-location Recording Techniques

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Focal Press, 1999 - Technology & Engineering - 278 pages
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Dividing classical and popular music recording into two distinct sections, this book focuses on the special techniques used for recording outside the confines of the studio and shows readers how to interface with sound reinforcement equipment in the hall or club.



Recent developments in portable digital multitrack recorders and high-quality mixers have made on-location recording feasible for all recording engineers. Many bands want to be recorded in concert because they feel that is when they play their best music. The engineer's job is to capture that performance on tape and bring it back live and there's only one chance to get it right.
This book covers all aspects of live recording, with a special section on miking techniques for surround sound. Pre-session procedures, such as power and grounding practice, pre-production meetings, and site surveys are fully examined. On Location Recording Techniques also describes the paperwork required to plan a live recording session. A study of surround miking techniques for both classical and popular music, and of the components needed to build a quality remote recording truck complete this book.

Covers the latest technology

Includes both classical and popular recording techniques

Offers many practical tips and shortcuts for easier setup and takedown

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About the author (1999)

Bruce Bartlett is a columnist for the Economix blog of "The New York Times", "The Fiscal Times", and "Tax Notes". Bartlett worked as staff director of the Joint Economic Committee of Congress, senior policy analyst in the Reagan White House, and as deputy assistant secretary for economic policy at the Treasury Department during the George H.W. Bush administration.

Bartlett is a freelance technical writer specializing in audio and computer software.

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