The New York school: a cultural reckoning
With the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement--from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale--she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene.
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Dore is the best. Period.
Abstract Expressionism and the American Experience: A Reevaluation
No preview available - 2009
Greenwich Villageand Depression IS 2 Hell its not just about painting
Artists and the New Deal
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abstract art abstract expressionist Ad Reinhardt Adolph Gottlieb alienated American art American artists American painting Arshile Gorky attitude avant-garde Barnett Newman Barr Baziotes Betty Parsons Breton Cezanne circle contemporary critics cubism Denby Depression discussion early esthetic Europe European exhibition existentialist experience expressionism felt forties gallery Gorky's Greenberg Guggenheim Harold Rosenberg Hofmann idea important individual intellectual interest issue Jackson Pollock John Graham Kandinsky Kiesler Kooning's later Lee Krasner literary MacAgy magazine Mark Rothko Marxist mass Matisse Matta milieu modern art modern artist modern tradition Mondrian movement mural Museum of Modern myth nineteen-forties nineteen-thirties organized Paris Partisan Review Philip Guston Photo Picasso poets political problems Reinhardt rhetoric Robert Motherwell Rothko Schapiro sculpture seemed sense Siqueiros social society statements Stuart Davis studio surrealism surrealist theater theory thirties tion vanguard visual Willem de Kooning writers wrote York artists York School young artists