Mike Kelley and Paul McCarthy: collaborative works
Power Plant Contemporary Art Gallery at Harbourfront Centre, 2000 - Art - 96 pages
"Mike Kelley and Paul McCarthy have a history of collaboration that dates back to 1987. From this perfect artistic marriage comes three major installations, five videos, two series of photographs, the design of their catalog for the installation ""Sod and Sodie Sock"", along with a double CD of their performances in Tokyo with Japanese noise musician Violent Onsen Geisha! For the first time these numerous collaborations have been chronologically documented and discussed with essays from curator Philip Monk, Ann Goldstein, Timothy Martin and Martin Prinzhorn."
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Abreaction Release Zone abstraction Adolf Loos aesthetic American Ann Goldstein Architecture Composed artists avant-garde beauty becomes biomorphic body book cover illustration bulletin board Center and Negative chalet child constructed Contemporary Art context Crisis Trauma Center decoration discipline eroticism essays Family Tyranny fantasy figure fragmented Francis Picabia Frankenstein Frankfurt Fresh Acconci genre Gesamtkunstwerk hallway Harbourfront Centre hoffbrau horror film ideal innocence installation Kelley and McCarthy Kelley and Paul kitsch Loos's modernism Mark Wigley McCarthy's collaborative Media-Engram Abreaction Release Midlife Crisis Trauma Mike Kelley military monster nudes painter Paintings of Richard Paul McCarthy Philip Monk Picabia paintings pictorial pimpled backside popular culture porn Powers and Francis Sad Sack scenarios science-fiction illustrator sculpture Secession sexual Sick Girl social Sock Comp O.S.O. Sod and Sodie Sodie Sock Comp soft-core space structure style Swiss tattoo Texas Chainsaw Massacre Timothy Martin traditional videotape Vienna viewer Violent Onsen Geisha Vito Acconci white wall