Living Theatre: A HistoryLiving Theatre: A History conveys the excitement and variety of theatre throughout time, as well as the dynamic way in which our interpretation of theatre history is informed by contemporary scholarship. Rather than presenting readers with a mere catalog of historical facts and figures, it sets each period in context through an exploration of the social, political and economic conditions of the day, creating a vivid study of the developments in theatre during that time. |
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Page 130
... Rehearsal time was minimal ; typically , there were fewer than five rehearsals for an individual cycle . Amateur actors agreed under oath to perform and were fined for missing or disrupting a rehearsal . Since nonprofessionals were used ...
... Rehearsal time was minimal ; typically , there were fewer than five rehearsals for an individual cycle . Amateur actors agreed under oath to perform and were fined for missing or disrupting a rehearsal . Since nonprofessionals were used ...
Page 275
... Rehearsals for a new play would rarely extend past 2 weeks ; a revival would merit little more than a run - through on the day of the performance . For a new play , the playwright would assist in the first rehearsal , but most of the ...
... Rehearsals for a new play would rarely extend past 2 weeks ; a revival would merit little more than a run - through on the day of the performance . For a new play , the playwright would assist in the first rehearsal , but most of the ...
Page 321
... rehearsing and staging productions . In the Roman era , the dominus - the manager of an acting com- pany - oversaw rehearsals and the staging of plays for the festivals . During the Middle Ages , the pageant master or- ganized the ...
... rehearsing and staging productions . In the Roman era , the dominus - the manager of an acting com- pany - oversaw rehearsals and the staging of plays for the festivals . During the Middle Ages , the pageant master or- ganized the ...
Contents
INTRODUCTION | 1 |
How Historians Reconstruct the Elements of Theatre | 10 |
Semioticians and Iconographic Historians | 17 |
Copyright | |
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acting companies actors actress Aeschylus African American American theatre argued atre audience became began best-known Broadway bunraku century B.C.E. characters Charles chorus classical Comédie Française comedy comic commedia dell'arte contemporary costumes court created critics cycle plays dance death developed director drama dramatists Drury Lane early eighteenth century elements Elizabethan England Europe example festivals film France French German Greek theatre historians Hrosvitha influence innovations Italian Renaissance Italy kabuki King later London Lord Chamberlain's Men medieval theatre melodrama Middle Ages modern Molière Moscow Art Theatre musical neoclassical nineteenth century Oedipus onstage opera performers period playhouse playwrights political popular entertainment presented production proscenium public theatres realistic religious Restoration Restoration comedy roles Roman theatre Rome scene scenery scenic scholars Shakespeare significant social society Sophocles Spain Spanish golden age stage story style theatre artists theatre history theatrical tion traditional tragedy tragic troupe women writing wrote York