Living Theatre: A HistoryLiving Theatre: A History conveys the excitement and variety of theatre throughout time, as well as the dynamic way in which our interpretation of theatre history is informed by contemporary scholarship. Rather than presenting readers with a mere catalog of historical facts and figures, it sets each period in context through an exploration of the social, political and economic conditions of the day, creating a vivid study of the developments in theatre during that time. |
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Page 138
... religious drama , and vice versa : the way in which religious plays were written and performed must have affected secular drama , and the down - to - earth comic quality of nonreli- gious plays affected the cycle plays . Much of what is ...
... religious drama , and vice versa : the way in which religious plays were written and performed must have affected secular drama , and the down - to - earth comic quality of nonreli- gious plays affected the cycle plays . Much of what is ...
Page 219
Edwin Wilson, Alvin Goldfarb. RELIGIOUS Dramas : AutOS SACRAMENTALES Religious dramas in Spain were originally pro- duced inside churches and cathedrals as part of the services , just as they were elsewhere in Europe and England . In ...
Edwin Wilson, Alvin Goldfarb. RELIGIOUS Dramas : AutOS SACRAMENTALES Religious dramas in Spain were originally pro- duced inside churches and cathedrals as part of the services , just as they were elsewhere in Europe and England . In ...
Page 244
... religious hypocrite who pretends to be very pious and wears clothing that looks like a religious habit , but he is actually inter- ested in acquiring money and seducing women . He comes to live in the house of Orgon , a man who has been ...
... religious hypocrite who pretends to be very pious and wears clothing that looks like a religious habit , but he is actually inter- ested in acquiring money and seducing women . He comes to live in the house of Orgon , a man who has been ...
Contents
INTRODUCTION | 1 |
How Historians Reconstruct the Elements of Theatre | 10 |
Semioticians and Iconographic Historians | 17 |
Copyright | |
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acting companies actors actress Aeschylus African American American theatre argued atre audience became began best-known Broadway bunraku century B.C.E. characters Charles chorus classical Comédie Française comedy comic commedia dell'arte contemporary costumes court created critics cycle plays dance death developed director drama dramatists Drury Lane early eighteenth century elements Elizabethan England Europe example festivals film France French German Greek theatre historians Hrosvitha influence innovations Italian Renaissance Italy kabuki King later London Lord Chamberlain's Men medieval theatre melodrama Middle Ages modern Molière Moscow Art Theatre musical neoclassical nineteenth century Oedipus onstage opera performers period playhouse playwrights political popular entertainment presented production proscenium public theatres realistic religious Restoration Restoration comedy roles Roman theatre Rome scene scenery scenic scholars Shakespeare significant social society Sophocles Spain Spanish golden age stage story style theatre artists theatre history theatrical tion traditional tragedy tragic troupe women writing wrote York