Chaos, Territory, Art: Deleuze and the Framing of the Earth

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Columbia University Press, 2008 - Art - 116 pages
7 Reviews

Instead of treating art as a unique creation that requires reason and refined taste to appreciate, Elizabeth Grosz argues that art-especially architecture, music, and painting-is born from the disruptive forces of sexual selection. She approaches art as a form of erotic expression connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, not just its intention and aesthetic.

By regarding our most cultured human accomplishments as the result of the excessive, nonfunctional forces of sexual attraction and seduction, Grosz encourages us to see art as a kind of bodily enhancement or mode of sensation enabling living bodies to experience and transform the universe. Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Through this framework, which knits together the theories of Charles Darwin, Henri Bergson, Gilles Deleuze, Félix Guattari, and Jakob von Uexküll, we are able to grasp art's deep animal lineage.

Grosz argues that art is not tied to the predictable and known but to new futures not contained in the present. Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living. According to Grosz, art is the way in which life experiments with materiality, or nature, in order to bring about change.

  

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LibraryThing Review

User Review  - karl.steel - LibraryThing

Impressions follow: Pretty thin stuff after reading in object-oriented philosophy over the last few days. Via Deleuze, Grosz thinks in binaries: inside/outside, alive/notalive, 'primary forces' and ... Read full review

Review: Chaos, Territory, Art: Deleuze and the Framing of the Earth (Wellek Library Lectures in Critical Theory)

User Review  - Elizabeth - Goodreads

I loved this book. It has made me think about art and life in many new and meaningful ways. I recommend it to anyone--but particularly to artists, musicians, and those with soulful connections to the ... Read full review

Contents

Chaos Cosmos Territory Architecture
1
Vibration Animal Sex Music
25
Sensation the Earth a People Art
63
Bibliography
105
Index
111
Copyright

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About the author (2008)

Elizabeth Grosz is professor of women's and gender studies at Rutgers University. She also teaches gender studies and architecture at the University of Bergen, Norway, and The University of Sydney, Australia. Grosz has been a visiting professor at the University of California, Santa Cruz, the University of California, Irvine, Johns Hopkins University, and George Washington University. Trained in continental philosophy, she has written widely on the body, sexuality, space, time, and materiality, and her publications include The Nick of Time: Politics, Evolution, and the Untimely and Time Travels: Feminism, Nature, Power.

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