Music in China: experiencing music, expressing culture
Music in China is one of many case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study.
Music in China offers a unique exploration of the rich, dynamic, and multifaceted Chinese musical landscape. In contrast with previous scholarship--which focused almost exclusively on the role of music in elite culture--this volume takes a balanced look at a variety of traditional and modern genres, including those performed among local and regional folk musicians, in academia, in the media, and on concert stages both inside and outside of China. Using the interrelated themes of identity, modernization, and ideology as a narrative framework, author Frederick Lau discusses the musical features of the selected genres, the processes through which they came into existence, and related socio-political issues. Lau draws on his own extensive fieldwork and performance experience in both mainland China and its diasporic communities to show how the ever-changing Chinese musical tradition takes on particular meanings in China, in overseas Chinese communities, and in diverse international settings.
Enhanced by eyewitness accounts of local performances, interviews with key performers, vivid illustrations, and hands-on listening activities, Music in China provides an accessible and engaging introduction to Chinese music. It is packaged with an 80-minute audio CD containing examples of the music discussed in the book.
32 pages matching solo in this book
Results 1-3 of 32
What people are saying - Write a review
Music of the People
Constructing National Music
Regional Musics with the National Soundscape
10 other sections not shown
accompaniment ACTIVITY amateur music bamboo began Beijing opera Cantonese music Cantonese opera cantopop CD track 37 century Chaozhou Chaozhou music chapter China Chinese composers Chinese instruments Chinese music Chinese musicians Chinese orchestra Chou chuida communist compositions Confucian Conservatory Courtesy of Frederick Courtesy of ROI cultural dizi dynasty ensemble erhu erxian established excerpt Figure Frederick Lau Fujian Guangdong guoyue guqin guzheng Hong Kong identity ideology jiangnan sizhu jingju large number Listen to CD literati melody minjian modern Chinese Mongolian musi music clubs music-making musical practice nanguan national music Naxi notation percussion performance piano pieces pipa players playing political popular music popular songs produced regional music repertory ritual ROI Productions HK sanxian scholars Shanghai sheng Singapore social solo sound strings suona Taiwan Tang dynasty teahouse tempo themes traditional Chinese music traditional music troupes tuning vocal Western music wind xianshi xiao yangbanxi yangqin yinyue yueqin zhonghu