The Essential Theatre

Front Cover
Harcourt Brace College Pub., 2000 - Performing Arts - 492 pages
0 Reviews
This introductory text acquaints students with the theatre its artistic and social functions, its development, and how each of the theatre arts functions as a unit. In the thirty-five years since it was first published, The Essential Theatre has established a reputation as one of the most comprehensive, authoritative surveys of the theatre in academia. The Essential Theatre works in tandem with its companion anthology, Plays for the Theatre (7th edition), edited by Oscar G. Brockett with Robert Ball. The scripts in Plays serve as the foundation for discussion of the various types of theatrical experience explored in The Essential Theatre. The Essential Theatre is intended to meet the needs of two courses: Introduction to Theatre (an overview serving as a foundation for students who expect to major in theatre, focusing on the theatrical experience from the viewpoint of the players) and Theatre Appreciation (an overview providing insight for non-majors, focusing on the theatrical experience from the viewpoint of audience members).

From inside the book

What people are saying - Write a review

Review: The Essential Theatre

User Review  - nuxe eym - Goodreads

excellent Read full review

Contents

PART ONE FOUNDATIONS
2
Performance Audience and Critic
23
The Playscript
37
Copyright

17 other sections not shown

Common terms and phrases

About the author (2000)

Brockett is of the University of Texas at Austin.

Robert J. Ball has ample experience as a successful teacher of Introduction to Theatre and Theatre Appreciation courses at a number of large and small universities, including Trinity University, the University of Texas, and Vanderbilt University. He is also a practicing actor and director with numerous professional credits in American regional theatres, as well as credits for national and international touring productions. Dr. Ball received his Ph.D. in theatre history and criticism from the University of Texas and is currently the Chair and Artistic Director of the Theatre Arts program at the University of the Incarnate Word.

Bibliographic information