Art of the Japanese Postcard: The Leonard A. Lauder Collection at the Museum of Fine Arts, Boston

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MFA Publications, 2004 - Architecture - 287 pages
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From the late nineteenth to the early twentieth century, Japan was a vital world center for postcard art. More than just casual mail pieces, these postcards were often designed by prominent artists and had a visual impact that belied their modest format. Remarkably beautiful examples of graphic design in their own right, they also recorded the shifting definitions of "East" and "West" at a time when such European currents as Art Nouveau began to show up in Japanese visual productions. Art of the Japanese Postcardpresents 300 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. They are astonishing not only for their beauty and the quality of their printing, but also for the insight they provide into contemporary Japanese artistic practices--insights not relayed in standard histories that focus on painting and sculpture--as well as for the fluid interplay of European and Japanese modes. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius.

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Art of the Japanese postcard: the Leonard A. Lauder Collection at the Museum of Fine Arts, Boston

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Japan was a prominent center for postcard art from the late 19th to the early 20th century. Drawing on a collection bequeathed by Leonard Lauder to the Museum of Fine Arts in Boston, this book ... Read full review

Contents

FXWE
7
NOTES ON PRINTING TECHNIQUES
249
ARTISTS BIOGRAPHIES TOMOKO OKAMURA
281
Copyright

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About the author (2004)

J. Thomas Rimer is professor emeritus of Japanese literature at the University of Pittsburgh. He has been the author, editor, or translator of many books, most recently two co-edited volumes, Traditional Arts and Culture: An Illustrated Sourcebook (2006) and The Columbia Anthology of Modern Japanese Literature (2005).

David M. Cobb is a member of NANPA (North American Nature Photography Association), PPA (Professional Photographers of America), and GWA (Garden Writers Association). He lives in the Pacific Northwest with his wife and their two cats.

Kendall H. Brown is Professor of Asian Art History in the Art Department at California State University Long Beach. He also recently served as Curator of Collections, Exhibitions and Programs at Pacific Asia Museum. Dr. Brown is a leading figure in the study of Japanese gardens in North America and is the author of "Japanese-style Gardens of the Pacific West Coast".

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