Duke Ellington

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Haus Publishing, Jan 1, 2005 - Biography & Autobiography - 183 pages
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Duke Ellington (1899-1974), composer and bandleader, was a largely self-taught pianist, influenced by jazz and ragtime performers. While working as a sign painter he began to play professionally, and in 1918 started his own band in his native Washington, D. C.. In 1923 he moved to New York City and playing piano at the Kentucky Club, began to gather the musicians who formed the core of his famous orchestra, and made his first recordings. With no formal training in composition, he nonetheless employed daring and innovative musical devices in his works; blending lush melodies with unorthodox and often dissonant harmonies and rhythmic structures based on what was then called 'jungle' effects, he wrote and arranged songs tailored to his own band and soloists. Radio broadcasts during an engagement at New York City's fashionable Cotton Club from 1927 to 1932 brought him and his group national recognition; and his recordings - particularly Saddest Tale, Echoes of Harlem, Black and Tan Fantasy, and Mood Indigo - spread their fame to Europe. David Bradbury continues his list of critically acclaimed biographies of the great figures of the Jazz area with this new biography of Duke Ellington.
  

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Duke Ellington (Life & Times S.)

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Jazz fan and freelance writer Bradbury profiles one of the greatest composers of the 20th century, chronicling bandleader Ellington's rise to fame as a pianist, song writer, and arranger. Read full review

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Dear David,
I enjoyed your book, but please, I do recommend that you add a little more detail to your front cover. Otherwise I think you have a very wonderful start.
Sincerely,
Emmelyn Affeldt
President
Duke Ellington Fan Club
174 Tri- Mountain Lane
Centralia, Washington 98531
 

Contents

Washington Wobble
1
Black Beauty
21
Take the A Train
49
Diminuendo and Crescendo in Blue
81
The Single Petal of a Rose
95
Praise God and Dance
115
Notes
132
Further Reading
166
Copyright

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About the author (2005)

A jazz fan since his schooldays, David Bradbury was able to talk to many musicians while he was based in New York as a British correspondent reporting on America.

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