New Hollywood Cinema: An Introduction

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Columbia University Press, 2002 - Performing Arts - 296 pages
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What is "New Hollywood"? The "art" cinema of the Hollywood "Renaissance" or the corporate controlled blockbuster? The introverted world of Travis Bickle or the action heroics of Indiana Jones, Buzz Lightyear, and Maximus the Gladiator? Innovative departures from the "classical" Hollywood style or superficial glitz, special effects, and borrowings from MTV? Wholesale change or important continuities with Hollywood's past? The answer suggested by Geoff King in New Hollywood Cinema is all of these and more. He examines New Hollywood from three main perspectives: film style, industry, and the social-historical context. Each is considered in its own right, sometimes resulting in different ways of defining New Hollywood. But one of the book's central arguments is that a combination of these approaches is needed if we are to understand the latest incarnations of the cinema that continues to dominate the global market.

King looks at the Hollywood "Renaissance" from the late 1960s to the late 1970s, industrial factors shaping the construction of the corporate blockbuster, the role of auteur directors, genre and stardom in New Hollywood, narrative and spectacle in the contemporary blockbuster, and the relationship between production for the big and small screens.

Case studies considered include Taxi Driver, Godzilla, and Gladiator, tracing the roots of New Hollywood from the 1950s to the start of the twenty-first century.

  

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New Hollywood cinema: an introduction

User Review  - Not Available - Book Verdict

Examining American filmmaking from both a social and an industrial standpoint, King (media, Brunel Univ., West London) seeks to define the "New Hollywood." He begins with an analysis of key films ... Read full review

Review: New Hollywood Cinema: An Introduction

User Review  - jordan - Goodreads

In trying to redefine "New Hollywood" as both the counterculture Hollywood films of the late 60s and 70s and the contemporary Hollywood blockbusters through present day, King spends significantly more ... Read full review

Contents

New Hollywood Version
11
Easy Rider
17
Bonnie and Clyde
37
Blockbusters and Corporate Hollywood
49
Godzilla
59
The Last Temptation of Christ
97
E T
107
Genre Benders
116
Unforgiven
157
MeH iH Bacfe
171
Narrative vs Spectacle in the Contemporary Blockbuster
178
Die Hard with a Vengeance
209
Toy Story 2
212
From Big Screen to Small
224
Spartacus
241
Gladiator
243

From Dusk Till Dawn
117
Starship Troopers
137
Star Power
147
Natural Born Killers
252
Copyright

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About the author (2002)

Edward D. berkowitz is professor of history and public policy and public administration at George Washington University. He is the author of eight books and the editor of three collections. During the seventies he served as a staff member of the President's Commission for a National Agenda, helping President Carter plan for a second term that never came to be.

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